Coleridge s criticsm of poetic diction

There are passages which will out the one, but not the other. There may be certain lines or even passages which can be used both in prose and poetry, but not all the lines or passages can be used thus. On the other hand, the Romantics place Imagination to a higher position.

For most of the Romantics, life was sacred and valued it. The manners of rural life, sprang from those elementary feelings and from the necessary character of rural occupations, are more easily realized and are more durable.

When we hear or watch any narrative, our brains go wholly into perceiving mode, turning off the systems for acting or planning to act, and with them go our systems for assessing reality. He points out that the language used in the poems of Wordsworth differs greatly from the language of a common peasant.

Coleridge's criticism of Wordswoth's theory of poetic diction,language and poetry Essay

Poetry would henceforth be considered an expressive rather than a mimetic art. Only its pleasure-value matters. We don't judge the truth of what we're perceiving, even though if we stop being transported and think about it, we know quite well it's a fiction.

In the book, the author suggests 'suspending disbelief' as opposed to forcing ourselves to forget; similar to how one would put a virus in quarantine. This difference arises from the fact that poetry uses metre, and metre requires a different arrangement of words. Even if they lived in the city away from Nature they would have similar sentiments and language.

Wordsworth and Coleridge came together early in life. Wordsworth advocates metre for several reasons. Tolkien argues that suspension of disbelief is only necessary when the work has failed to create secondary belief. Thus was disclosed the prescription which was to carry poetry and prose through romantic, realist, and modern phases, and which invests them to this very day; the evocation of emotion and inculcation of transcendental awareness through the artistic examination of immediate experience.

There are passages which will suit the one and not the other. This turned out to be a somewhat long explanation of the poet's attempt to write in a manner hitherto unknown. Coleridge asserts that there is and there ought to be an essential difference between the languages of prose argues that of poetry.

Now the rural conditions of life do not require any reflection, hence the vocabulary of the rustic is poor. Whatever rustics use, are derived not from nature, but from The Bible and from the sermons of noble and inspired preachers. There may be certain lines or even passages which can be used both in prose and poetry, but not all the lines or passages can be used thus.

Romantic Literary Criticism Critical Essays

For one thing, Wordsworth does not state what he means by language. However, because such norms and conventions were associated with rationality—the very target of most Romantic poetry—criticism needed to head in a different direction.

Wordsworth rejects the idea of language as artificial and metres and figures of speech as embellishments of the language. They adopted a division of labor in which Coleridge would endeavor through poetic means to make the uncommon supernatural credible; Wordsworth would attempt to make the common uncommon — through simple but meticulous descriptions of everyday things.

Coleridge’s Criticsm of Poetic Diction

Characters in the poems like Ruth, Michael, The Brothers, are not low and rustic in the usual acceptance of these words. They must represent some particular class, as well as general human nature. He was to deal with humble and rustic life and so he should also use the language of the rustics, farmers, shepherds who were to be the subjects of his poetry.

He says that best part of language is not derived from communicating with nature but from the reflection of acts of mind itself. It chanced that David Hartley, founder of the associationist school in psychology — his views were adapted afterward in the social philosophy of the Utilitarians — who at the moment absorbed Coleridge's attention, had expounded views which Wordsworth fancied matched his very own.

They are less under restraint and speak a plainer and more emphatic language. First, communication with an object implies reflection on it, and the richness of vocabulary arises from such reflection. Current scholarly work on Romantic literary theory often suggests that many of the Romantic critics were far ahead of their time, anticipating the work of various late twentieth-century thinkers.

Coleridge’s Criticsm of Poetic Diction

Hence, the neo-classicists believe that Imagination is a combining power, not a creative one. They can express only the barest facts of nature, and not the ideas and thoughts universal laws which result from reflection on such facts. Reasons for His Choice of Rustic Life: Lastly the passions of men are incorporated with the beautiful and permanent forms of nature.Wordsworth theory of language of poetry and Coleridge’s criticism on it, is of great significance in the history of literary criticism.

Wordsworth revolts against the poetic diction of eighteenth century. His theory has some merits and at the same time has certain demerits. Wordsworth rejects poetic diction by saying, “avoid poetic diction”.He says that neither there is nor could be. In addition to the primacy of the poet, the aesthetic theories associated with Wordsworth and Coleridge in particular, were critical of earlier poets' “poetic diction,” which to the Romantics.

Coleridge’s Criticism of Wordsworth Poetic Diction - Free download as Word Doc .doc /.docx), PDF File .pdf), Text File .txt) or read online for free/5(1).

COLERIDGE in chapter XIV of his BioGraphia Literaria () elucidate and evaluate Wordsworth’s poetry and comment upon wordsworth’s theory of poetic diction. 2. 2.

Suspension of disbelief

Wordsworth and Coleridge came together early in life. Coleridge’s Criticsm of Poetic Diction. 7 July Life; Coleridge on Poetic Diction. Coming then to a detailed consideration of Wordsworth’s theory of poetic diction, he takes up his statements, one by one, and demonstrates that his views are not justified.

Wordsworth asserts that the language of poetry is “a selection of the real. The poetic diction of the eighteenth century, sought to substitute the selection of the language really used by “Advertisement” included in the edition shows Wordsworth’s concern about the language of poetry.

Coleridge s criticsm of poetic diction
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